Haydn returned to a breathlessly expectant London in February of 1794. (-)- V/V/V - 4348 - homerdundas, Timpani 8 (-)- V/V/V - 2227 - Perlnerd666, Violins I Something went wrong, please try again later. *#51888 - 0.82MB, 12 pp. The last symphony, the present work, to which alone among the 12 the name London has become particularly attached, was first heard on April 13, 1795, and was also the main event of Haydns London farewell concert, for his own benefit, three weeks later. St Pauls Place, Norfolk Street, Sheffield, S1 2JE. 95 in C minor, on the other hand, was decidedly unenthusiastic. Portrait of Joseph Haydn (1791) The Symphony No. "[3], The work is scored for 2 Flutes, 2 Oboes, 2 Clarinets in A, 2 Bassoons, 2 Horns in D and G, 2 Trumpets in D, Timpani, Violins 1 & 2,Violas and Cellos.[4]. The score questions were very useful to draw out the main features. (-)- C*/C*/V* - 401 - IS, Complete Score (EU) (-)- !N/!N/!N - 26 - Pauldebra, Engraving files (MuseScore) 2 *#51893 - 0.24MB, 4 pp. 104. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon. 4 10 - Orchestrated more fully, Based on transition Scuba Certification; Private Scuba Lessons; Scuba Refresher for Certified Divers; Try Scuba Diving; Enriched Air Diver (Nitrox) 4 Andante (-)- V/V/V - 1227 - Kalliwoda, Violin 2 Development starts with S1 in imitation, strings only, A major but G natural from bar 121 indicate move back to D, Full orchestra S1 and hints of counter-melodic ideas in 2nd violin and oboe, Pedal D in horns, trumpets, violins, timpani (different rhythms for these instruments, and use of octave interval and staccato in 1st violins), three note staccato step motif, sequential and overlaps in woodwind and strings, tonicisation of E minor by use of D sharp, Based on 'y': organised in two bar units, reliance on diminished harmony, Fig 'y' ascending, starting on F sharp to C natural Instead, the development is extended with a section in F minor, after which the recapitulation in D major follows immediately. 10 Allegro (Dmajor, 52 Bars) Trio (Dminor, 52 Bars), Symphonies Hob.I:82-87 (Paris Symphonies), Symphonies Hob.I:93-104 (London Symphonies), Symphonies Hob.I:C1-B18 (doubtful authenticity). Perlnerd666 (2010/1/3), 11 more: Oboe 1, 2 Clarinet 1, 2 (A) Bassoon 1, 2 Horn 1, 2 (D, G) Trumpet 1, 2 (D) Timpani Violins I Violins II Violas Cellos Basses, Oboe 1, 2 (-)- V/V/V - 83 - Fynnjamin, PDF scanned by CDN-Lu 8 4 (-)- V/V/V - 5047 - Perlnerd666, Violins II again use 'y' ; dominant 7th of B minor (F sharp) - piece arrives here at bar 139. 4 Eduqas specification. 0.0/10 8 6 4 Symphony No.104 in D major, Hob.I:104 (Haydn, Joseph) Identify these examples and discuss how their presentation within the argument strengthens or diminishes Girard's claims. Would you be able to send this to me, thank you. Sustained notes (clarinets and brass) Cypressdome (2018/10/24), Complete Score -Established conventions such as the four movement plan usually featured a sonata form first movement and a minuet and trio third movement, however there was a plethora of originality and diversity amongst the composers of the period. Haydn Symphony No. 104 Revision Video - Last movement *#348260 - 16.04MB - 7:00 - mov, 285.93 MB. On this Wikipedia the language links are at the top of the page across from the article title. Nearly all of the material in the rest of the exposition of this sonata form is derived from some aspect of the first themea degree of motivic integration that would not be heard again until Beethovens later symphonies. 0.0/10 The following boldfaced words are important to your understanding Wollstonecraft's controversial essay. Piano Finale. 8 8 A bundle is a package of resources grouped together to teach a particular topic, or a series of lessons, in one place. Haydn's use of themes and keys here demonstrates an important point about sonata form: the second subject is defined by the new KEY , not (only) a new theme. Andante 2 Minuet. [3] The movement is in ternary form with central section in the minor. *#51896 - 0.67MB, 10 pp. (-)- V/V/V - 3537 - Perlnerd666, Violas Haydn Symphony n.104 "London" - Mov. 1 [analysis] - YouTube The rest of the movement consists of a modification of the first section of music, with several changes in rhythm and more prominence to the winds, especially the flute. 6 *#107480 - 1.39MB, 10 pp. *#166182 - 6.89MB, 7 pp. (-)- !N/!N/!N - 126 - Madjanev, Bass Clarinet (for Bassoon 1 & 2) VIIh/3, International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Symphony_No._100_(Haydn)&oldid=1140566501, Articles with International Music Score Library Project links, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 20 February 2023, at 17:44. 8 Thanks, Steven. Find Concerts, Events, Artists, Reviews, and More. 0.0/10 8 Oxford Composer Companions: Haydn, ed. 10 Adagio - Allegro David Wyn Jones, Oxford University Press, 2002. *#03170 - 4.01MB, 30 pp. The trio is in B major, and uses the oboe and bassoon extensively. 104. 4 . (-)- V/V/V - 146 - Sallen112, PDF scanned by Unknown 4 Chord of A major - dominant of home key *#764292 - 7.10MB, 64 pp. Each of these movements has its own unique musical structure and character with the opening movement often in sonata form and the final movement in rondo form. (-)- V/V/V - 3591 - Perlnerd666, PDF scanned by Unknown *#546608 - 10.83MB, 57 pp. Development of the symphony www.ALevelMusic.com 0.0/10 8 Continuous quavers in strings - greater importance in texture 6 10 This leads to the main body of the sonata form movement, in D major. Haydn's no. 104, movement 1 - Annotated Score 2 Whether or not Haydn had decided that this would be his last symphony which it is everything about it projects the feeling of a statement, including the boldly decisive, symmetrical introduction, as distinct from the improvisatory feeling Haydn conveys in similar circumstances elsewhere: two portentous D-minor episodes framing a smaller one in the key of F major. if you email me, I will send it straight away: [email protected]. 2 *#109273 - 11.28MB, 6 pp. 10 [2] The premiere was a success; Haydn wrote in his diary "The whole company was thoroughly pleased and so was I. I made 4,000 gulden on this evening: such a thing is possible only in England. Conducting Pills ep.28 Score analysis - Conducting pills Haydn Symphony n.104 "London" - Mov. Substantial conclusion to Haydn's final symphony - 70 bars Timothy Lanfear (2021/6/5), Engraving files (LilyPond) 8 10 - Conditions. (-)- V/V/V - 145 - Irishmaestro, PDF scanned by D-B Uses variety of previously heard material, Bar 265 0.0/10 Symphony No. 104 in D major | Details | AllMusic Many thanks for your feedback. 6 6 2 (-) - V/67/V - 41 - MP3 - Lucas-coelho, Complete Recording (EU) Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. bar 47 beat 3, bar 51 beat 3, Subject 2a Andante 3. *#109271 - 9.37MB, 5 pp. *#28914 - 0.99MB, 5 pp. Great resources, has saved me hours and helped me structure my planning. 0.0/10 0.0/10 4 4 104 (Movements III & IV) - Questions | Teaching Resources Log in for free Haydn's Symphony No. *#348258 - 22.83MB - 9:58 - Two bars tonic pedal in all parts, Imitation of the subject e.g. 10 The annotated score for Movement 2 is missing. II. LinBoHe (2023/2/19), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License Eventually, Haydn refused and went back to the Esterhzy in 1795. *#30529 - 0.52MB, 4 pp. *#30530 - 0.45MB, 4 pp. Fynnjamin (2018/9/29), Complete Score The spirited finale traipses along with a contredanse that hinges on a radically simple themejust a melody over a tonic drone, better suited to bagpipes than Londons prestigious orchestras. 4 6 4 *#37166 - 1.13MB, 7 pp. *#405708 - 0.07MB, 4 pp. 10 (-)- V/V/V - 2536 - Perlnerd666, Trumpet 1, 2 (D) 2 0.0/10 Composed 1795. Sustained notes in woodwind and brass, Final quaver descent of motif 'y' in strings before bar 149-155 ideas, Syncopated rhythms (viola) First 6 notes of S1 - in diminution, with G sharp, Thematic content played in 1st flute, 1st violin and repeated three times, final passage of exposition, again utilizing repetition of a two bar phrase Lots of sustained notes, Bar 169: G sharp to C sharp 0.0/10 Major or minor? 8 (-) - V/67/V - 49 - MP3 - Lucas-coelho, 1. Exposition then repeated. 6 (-)- V/V/V - 4951 - homerdundas, Trumpet 1 (D) 10 0.0/10 2 104: A Comprehensive Guide. The response to the oddity of the Symphony no. The primary theme became a popular tune in its time. *#28912 - 3.20MB, 19 pp. (-)- !N/!N/!N - 15341 - CCARH, 4 more: 1. Hi. - bar 309, Bar 309 - 311 2 - 10 *#51894 - 0.81MB, 11 pp. *#705992 - 1.12MB, 72 pp. That all- Haydn concert, conducted by the composer, also included a reprise of his "Military" Symphony (No. 2 The main reason for this is that the system just won't let me add the score to the bundle - I have no idea why. Born in Halle, he spent his early career shuttling between Hamburg, Hanover, Dsseldorf, Florence, Rome, and Venice, before settling more or less in London. Our customer service team will review your report and will be in touch. In London, Haydn was a celebrity: to the point where even the future King George IV (back then the Prince of Wales) had bowed to him. 2 Finally, Joseph Haydn and Wolfgang Amadeus Mozart unified all the techniques created into one; hence the symphony! 6 *#405700 - 0.09MB, 4 pp. 10 4 4 104 in D major ( H. 1/104) is Joseph Haydn 's final symphony. - 10 The delicate nature of 2 Symphony No. 101 (Haydn) - Wikipedia The annotated score for movt 3 is already in the bundle - the movement that is missing is movt 2. 0.0/10 *#31786 - 6.70MB, 68 pp. - 0.0/10 Haydn 104 4th movement analysis lyrics Music Analysis Songs 3.7K views 1 year ago Haydn: Symphony No. It is popularly known as The Clock because of the "ticking" rhythm throughout the second movement. 0.0/10 0.0/10 Feldmahler (2007/6/22), 3. 10 (-)- V/V/V - 274 - Generoso, Complete Score 8 (-)- V/V/V - 6031 - homerdundas, Oboe 2 6 7,177 views May 10, 2020 Quick analysis of the FIRST movement of Haydn 104 (Eduqas A Level) Tom Pankhurst http://www.alevelmusic.com Recording: .more .more 5 years ago Am4d3usM0z4rt. *#405707 - 0.09MB, 4 pp. 8 0.0/10 8 [4] The movement concludes with an extended coda featuring a bugle call for solo trumpet, a timpani roll, which was a revolutionary adaptation of the instrument, and a loud outburst in A major. The theme goes straight into A major with the woodwinds to form a second theme. 8 0.0/10 2 4 The work is in standard four movement form and scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, triangle, cymbals, bass drum and strings. 8 (-)- V/V/V - 4312 - homerdundas, Horn 1 (F) (transposed), D, G (original) (-)- V/V/V - 5523 - homerdundas, Bassoon 2 8 [2] The strings respond by repeating the theme an octave lower. 2 Symphony No. (-)- !N/!N/!N - 184 - Madjanev, Trumpet 1 (B) 10 0.0/10 0.0/10 101 in D major (Hoboken 1/101) is the ninth of the twelve London symphonies written by Joseph Haydn. 4 Haydn: Symphony No.101, second movement - AQA - BBC Bitesize The solemn proclamations on D and F of the Adagio announce the two harmonic poles of the symphony, but since 18th-century brass instruments could only play in D, there is a built-in hierarchy to this fanfare. (-)- !N/!N/!N - 197 - Madjanev, Bass Clarinet (for Bassoon 1) Sign up below for instant access. Word Count: 725 2 10 10 4 94, the Surprise, which prompted delighted gasps. - Adagio-Allegro; 2. 8 Madjanev (2016/1/4), 10 more: Baritone Sax (for Bassoon 1) Bass Clarinet (for Bassoon 1 & 2) Bass Clarinet (for Bassoon 1) Horn 1 (F) Horn 2 (F) Alto Sax (for Horn 1) Alto Sax (for Horn 2) Euphonium (for Horn 1) Trumpet 1 (B) Trumpet 2 (B), Baritone Sax (for Bassoon 1) *#60125 - 0.39MB, 7 pp. *#725629 - 6.61MB - 4:48 - 8 Were moving to F major, the relative key of D minor. registered in England (Company No 02017289) with its registered office at Building 3, - This material also does not appear in corresponding part of Recapitulation: therefore more appropriate to label as Codetta, Six bar phrase - based on S1 0.0/10 6 (-)- !N/!N/!N - 1859 - CCARH, 3. 2 Abundant job offers came his way, but nearing 60, famous and secure financially, the composer decided that he had no need to seek another permanent appointment. The instrumentation is richer than the other movements of the symphony. 2 (-)- !N/!N/!N - 2423 - CCARH, Complete Score Ottorino Respighi spent more time in his home country of Italy than Handel or Haydn did in theirs, but he did travel to study with Rimsky-Korsakov in Saint Petersburg and Bruch in Berlin. Concerto for Lire Organizzate in G, Hob. To be used alongside the powerpoint also available to buy. 2 *#51891 - 0.59MB, 10 pp. 0.0/10 stamping motif I am working on a set of answers - at the minute they are in handwritten draft format in my own teaching files. The development ends with the full orchestra. Repeated crotchets in brass Likewise, the politesse of the minuet is offset by a walking bass line that sounds more like Corelli than Couperin. 0 reviews. - 10 This symphony has four movements but it is the second which gave. 6 8 6 0.0/10 Like in the minuet, this trio's B section emphasizes the relative minor (in this case, G minor). Re-orchestrated - main theme in horns, bassoons, lower strings, Four bars of detached chords A in bass so 2nd inversion Franz Joseph Haydn, conductor. *#109274 - 11.62MB, 6 pp. The trio ends with a transition back to dominant of the main key in preparation for the return to the minuet. Haydn Symphony n.104 "London": an analysis of the 1st movement Exposition Adagio In case you don't have it at hand, here's a quick link to the score. Although George Frideric Handels English was notoriously poor, he had French, Italian, and his native German to fall back on. - (-)- V/V/V - 644 - Morel, Complete Score 0.0/10 10 - (-)- V/V/V - 185 - Philhar, PDF scanned by Philhar Still over tonic pedal, Descending staccato quavers in strings and bassoon lead to bar 29 ff tutti, Fortissimo tutti section Mainly alternates between dominant and supertonic of A, Introduced in 1st violin Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. Based on bars 19-26 *#59305 - 0.38MB, 1 pp. 8 (-)- V/V/V - 379 - Generoso, Cello 6 Movement 3: Measures 18-20 Movement 4: Measures 79-80 The concluding A' section (Measure 72) features the winds in the melody with a more spread out string accompaniment. - Continues through S1, 1ST MOVEMENT: Discuss the development of 1st, STRUCTURE: Discuss how the structure of the s, Byron Almen, Dorothy Payne, Stefan Kostka. Is nervous a derivational word in English? 6 2 (-)- V/V/V - 8845 - homerdundas, PDF scanned by homerdundas 2 10 6 Its opening theme is as follows: The movement is monothematic: the second theme is simply the first theme transposed to A major. - 4 - Content 2023 Redlands Symphony. 0.0/10 This finale, together with the finale of Mozarts Jupiter Symphony, set an ambitious standard for the symphony of the future, and todays composers still feel the weight of Haydns legacy. Analysis: Symphony 104. London Movement 4 Flashcards | Quizlet 6 4 The Symphony No. The King and Queen tried to bribe him with a flat in Windsor in order to convince him to stay in London. 8 8 8 0.0/10 0.0/10 10 - Crotchet , two quavers, crotchet, two quavers, Supertonic (ii7 of A) in first inversion bar 45 beat 3, bar 49 beat 3 Resource type: Audio, music & video. And it was in London that he wrote his final 12 symphonies (nos. (-)- V/V/V - 2643 - Perlnerd666, Timpani 8 The unusual 5/4 time signature, however, is all Schifrins own. (-) - !N/!N/!N - 37 - MP3 - Pauldebra, Complete Score 104: A Comprehensive Guide. 6 Annotated score video with discussion and in-depth analysis of the first movement of Haydn's Symphony No. 8 0.0/10 After arriving on the dominant of G major, the music of the first section returns. Cookie information is stored in your browser and performs functions such as recognizing you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. (-)- !N/!N/!N - 5231 - CCARH, 2. *#305495 - 0.79MB, 13 pp. 6 (-)- C*/63*/V* - 17421 - Philip Legge, PDF scanned by Haydn100&7 - 6 4 2 - Minuet-Trio This website and its content is subject to our Terms and 10 10 - 2 (-) - V/67/V - 140 - MP3 - Lucas-coelho, MP3 file (audio) 8 Spiritoso (EU) 2 0.0/10 His first opera, Camille Claudel, debuted in 2013 to a great success of audience and critics. 0.0/10 However, his orchestral postcards from RomeFountains of Rome, Pines of Rome, and Roman Festivalstraveled even more widely than their author and remain internationally popular. The opening of the slow introduction carries a sense of expectation and grandeur. 8 Symphony No. 100 (Haydn) - Wikipedia Haydn's use of themes and keys here demonstrates an important point about sonata form: the second subject is defined by the new KEY , not (only) a new theme. (-)- V/V/V - 863 - IS, Complete Score Annotated score video with discussion and in-depth analysis of the first movement of Haydns Symphony No. - Still in first violins, but now in unison with first oboe 8 Pedal A's hinting at A major tonicisation, based on 76-83 (i.e. same length as corresponding section in Exposition, not in tonic - interrupted cadence to land on B7 in bar 247 - surprising, B major of 247 acts as dominant pivot for E minor Introduction Bars 9-13 0.0/10 8 8 6 It uses imitative patterns of the woodwinds in the second theme. - Tutti rest for all of bar 166, Development of 2b 0.0/10 0.0/10 *#47720 - 0.18MB, 4 pp. 8 First 4 bars scored for woodwind Diminished chords bar 40-41 Interrupted by ff tutti in D minor with counter-theme in upper woodwind Complete with higher dominant dischords/ diminished harmony and syncopation bars 43-44 Violin II and lower stringshave semiquaver arpeggiac figure played staccato 10 1. 6 6 Counter theme in 1st violins Haydn's Symphony No. 104 (Movements III & IV) - Questions 8 Timpani generated by Musescore. 6 The Symphony No. Thanks for all your work - an excellent resource. 10 10 On the other hand, the trio is an uncommonly sophisticated version of the Lndler, usually a rustic dance. D major, Byron Almen, Dorothy Payne, Stefan Kostka, Music in Theory and Practice, Volume I Workbook. 0.0/10 8 8 [2] The first theme then returns in E major and is development in tandem with the rocking motif back towards the tonic for the recapitulation. Ideal for use for the Eduqas A-level. 10 Mouchette (2016/6/19), Complete Score Your rating is required to reflect your happiness. (-) - V/67/V - 145 - MP3 - Lucas-coelho, MP3 file (audio) The nickname "Military" derives from the second movement (and the end of the finale), which features prominent fanfares written for C-trumpets and percussion effects. (-)- V/V/V - 154 - Massenetique, PDF scanned by E-Mn 4 Surprise Symphony | work by Haydn | Britannica 6 Later, another series of six the rest of the 12 so-called London Symphonies was composed in Vienna. The beginning of the Allegro is deceptively simple, with its singing melody in the violins. The movement closes with a coda, also in D major. 0.0/10 *#49279 - 4.53MB, 25 pp. *#03172 - 0.78MB, 12 pp. - Ideal for use for the Eduqas A-level. The tutti then transitions the music to the dominant key for the second subject area, which begins with the first theme transposed to D major. 2 - (two bar ascending motif, amended slightly with repeat and last crotchet omitted, two bar ascending motif repeat). Andante Characteristic peasant dance rhythm two crotchet, one minim Bar 6 and 10 minims Accentuate 'stamping' action of folk dance rhythm Bar 3 and 4 harmony Bar 3 implies dominant Bar 4 implies tonic Bars 1 - 10 based around Tonic and dominant as in opening of 1st movement Musical elements bars 1-10 Sparse texture, single melody line above pedal 8 8 Symphony No. 104 in D major, "London" (Joseph Haydn) - LA Phil Up until 209 - exact repeat, Begins with quavers, replaying bars 26-30, Recapitulation bars omitted of transition, Bars 31 onwards omitted Following a repeat, the development begins with a grand pause of two measures, the rocking motif appears in the distant key of B major and is developed upward through several keys. *#51890 - 0.92MB, 14 pp. 100) and was one of the greatest of his many triumphs in London during the 1790s. The first movement is in sonata form with a slow introduction that hints at motifs that will appear later in the movement. Use of flattened submediant i.e. You can adjust all of your cookie settings by navigating the tabs on the left-hand side. 10 Report this resource to let us know if it violates our terms and conditions. 8 4 Interrupted, Interrupting continuous quaver movement with 'x' which takes the music back to the home key for You can unsubscribe at any time. 2 *#494060 - 12.39MB, 60 pp. Leads to unison Ds in horns as at the very start of the movement 10 2 This content is available for free with all memberships. You can find out more about which cookies we are using or switch them off in settings. 4 Many thanks! 8 2 6 *#405706 - 0.09MB, 4 pp. Superstar Anne-Marie McDermott returns to perform live on stage. VIIh/3, which Haydn had composed for Ferdinand IV, King of Naples. *#30128 - 2.63MB, 20 pp. - The rocking motif returns several times and a full tutti brings the movement to a close without a coda. - chord of F major e.g. Page visited 246,186 times Powered by MediaWiki (-)- V/V/V - 1156 - Morel, Complete Score (-)- !N/!N/!N - 144 - Madjanev, Euphonium (for Horn 1) With best wishes
Arrangement available from this page. 10 The orchestral suite maintains the clarity of the lute pieces Respighi borrowed from Renaissance composers, known and unknown, including Simone Molinaro and Vincenzo Galilei (the father of Galileo). (-)- V/V/V - 4583 - Lyle Neff, PDF scanned by Lyle Neff Irishmaestro (2021/6/10), Complete Score 104 in D major, the London, was the last of twelve symphonies he wrote for English audiences, and while there is no evidence that he intended it to be his last, it is a fitting capstone to the symphonic tradition he helped to build. Learn about single tickets and season packages. *#707470 - 176.41MB, 90 pp. - - - [4], In contrast to Haydn's trend of speeding up his minuets, here he slows the pace back to Moderato providing a more old-fashioned aristocratic minuet. - Minuet-Trio (EU) - 8 *#47718 - 0.74MB, 16 pp. 8 There is no question about his conducting abilities: he has exceptionally clear baton technique that allows him to articulate whatever decisions he has made about the music. - 2 8 0.0/10 0.0/10 (-)- V/V/V - 4872 - homerdundas, Violins I 6 Haydns Symphony No. 8 Andante (EU) The Allegro begins with a dancing theme which is unexpectedly scored only for flutes and oboes. (-)- V/V*/V* - 4418 - Feldmahler, Complete Score Haydn decided to accentuate this harmonic difference with a dramatic dynamic contrast between fortissimo and pianissimo. *#513446 - 7.18MB, 62 pp. Bibliothque nationale de France, Musique (F-Pn): This work is no. 0.0/10 Conducting Haydn Symphony n.104 "London" [analysis] - Gianmaria Griglio New contrasting material It seems only fitting that someone equally comfortable with the London Philharmonic or an international jazz festival, as at home in Buenos Aires as he is in Los Angeles, should be surrounded on tonights program by his fellow cosmopolitans. Pauldebra (2021/12/10), Complete Parts 8 2 Claire
, Hi, great resource. 6 2 2 4 10 6 The style of each movement echoes its origin, whether in song (villanelle) or dance (balletto, gagliarda, and passo mezzo). 93-98, would be presented. 0.0/10 0.0/10 Something went wrong, please try again later. 8 Really going to help my daughter with her A-level Music studies.
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